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sizes and shooting HD for film

The HD seems to many to be the new frontier of digital cinema, and in some respects it is (remember that it is a format created for the TV anyway!). Everyone believes that it is easier to shoot in HD, with higher yield and above all cheaper.
It was quite true. Certainly you have many advantages, including the main abattoir costs. But use of the method is with a big Intego preparation, theoretical and technical know-out and very advanced. This is especially true if you want to achieve a good quality shot and a clean immagni (perhaps to then be able to pour out into film work). On the Web
run many notes on the HD (to turn the forum, some people really expert in turn).
I have put links to some documents (rather comlpessi but very useful) from the site of 'Avid Italy.

Download the guide on the HD.
Part One Part Two

How
resume in HD.
Part One Part Two

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Our mole in the ministry

begins the adventure of a blog ....
And we tell? And what I tell you? I
SuperMibac, special envoy to MIBAC, face hearings next week for the granting of Ministers to IC (film of cultural interest).
producers and directors will have a quarter of an hour at your disposal to convince the Commission that the terrible "film in question is an unparalleled opportunity to revive the fortunes of Italian cinema. Among
shady background and dynamics, see if you can come up with something interesting ...

I recommend ... "Water In Bocca"

SuperMibac

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"Jellyfish," a new film about the Israeli reality beyond the usual stereotypes

Qualche giorno fa al "Nuovo Sacher" di Trastevere, tempio di Nanni Moretti, è stato presentato un film israeliano distibuito dalla società del cineasta romano.
Il film racconta con rara poesia neorealista la vita quotidiana di tre donne, assai diverse, ma accomunate dai problemi quotidiani della vita (non si pensa sempre solo alla guerra e agli attentati, sorattutto quando si soffre per le vicissitudini di tutti i giorni: amore, lavoro, infanzia spezzata, gelosia...)
Abbiamo potuto essere presenti alla proiezione del film ed al successivo dibattito tra gli autori e i giornalisti moderato dallo stesso Moretti. Abbiamo assistito anche al suo abbandono della sala (con la stessa faccia di quando in "Palombella Rossa" veniva pronunciata la parola "Kich" dalla giornalista!) alla domanda "credete che l'aver messo una vespa nelle scene abbia convinto Moretti a distribuire il vostro film?"

Trama e conferenza stampa con Moretti

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AMERICAN GANGSTER Ridley Scott's new film scoops the box office USA

Parata di premi oscar per il nuovo film di Ridley Scott. L'autore di cult movie come "Il Gladiatore" e "Blad Runner" (recentemente presentato nella versione definitiva all'ultima mostra del cinema di Venezia). Protagonisti della pellicola Denzel Washington nei panni di un malavitoso di Harlem e Russell Crowe , l’investigatore che gli dà la caccia.

Sembra preannunciarsi un nuovo film gangster, but the narrative structure of modern and fast-paced (in the vein taken up and reworked by the master with Martin Scorsese "The Departed").

The cast also includes Cuba Gooding Junior.

The story is set in 1968 and promises to be very complex and intrigued, as well as having definitely the twist ending!

The idea of \u200b\u200bbringing together the protagonists during the boxing match of the century, Ali vs. Frazier is brilliant!

In America the film has grossed the second week of more than $ 80 million (46 million in its first weekend)

Trailer Movie (eng)

in Italy Release Date: January 18, 2008

Review

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New measures for the film industry: the "Tax Credit"

The measure's most anticipated and, at least in principle, more is shared across the benches of parliamentarians who among those 'film industry was added to Finziaria 2008, the Tax Credit. For many years in European countries with a high propensity to use state aid for film (admitted by the EU through the so-called "cultural exception") have gradually transformed from a contribution forms of tax incentives. Virtuosa had been the English experience until some time ago when it was arrivati all’abuso da parte delle società di produzione che contabilizzavano valori eccessivi e presunte perdite che portavano a crediti verso il fisco vertiginosi!

Gian Marco Committeri dello Studio Tonucci&Partners ha condotto un’analisi sui migliori strumenti di incentivazione fiscale per il mondo cinematografico nazionale che è stata presentata al convegno ABI “ La Finanza del cinema tra il pubblico ed il privato “ nel luglio scorso. E’ emerso che, visto l’esiguo valore dei fatturati e soprattutto dei margini delle nostre aziende nonché la loro bassa capitalizzazione, lo strumento più efficace sarebbe stato the tax credit. The financial collects this invitation and detailed in Article 7. This credit will offset debts to the exchequer in terms of VAT, IRAP, or social security tax withholding.

2 are different categories of subjects to which they devote attention: companies with VAT outside the world of cinema (the "Tax Shelter exogenous) and the national film industry (Endogenous Tax Shelter). Among these we can identify three sub-categories that have different incentives, production companies, distribution and post-production executive prouzione. are not included in the text of the individuals. For what

companies do not regard the film industry will invest up to € 2.5 million for fiscal period having a tax credit of 40%. The type of contract will be "joint venture" for films that have Italian nationality according to the criteria of MiBAC. The membership fee may not exceed 49% (to maintain control of the project to the production house) but the percentage of the profits will be up to 70%. This should encourage the film industry to risk capital from outside companies. Other

constraint, but this time for the production companies that receive such capital, is that 80% of the tax credit investor is spent outside the country.

The tax credit provided for the production company is 15% for tax year up to a maximum (cumulative total of all projects of the company) credit of 3.5 million per annum (equivalent to 23,333,333 € of total investment).

For distribution, only for the Italian territory, the odds change depending on the tax credit are talking about works that are granted by the Ministry of National Cultural Interest (15% to a maximum of 1.5 million per year) Only the Italian nationality (10% up to a maximum of 2 million per year) or an associated production operates under the same rules as the Tax Shelter Exogenous (20% to a maximum of 1 million euro per year).

latter option also applies to exhibitors that it will enter the production of works that they themselves then they go to market to the public.

operators is also given the option of a credit of 30% (up to a maximum of 50,000 € per year) for the purchase of digital equipment to modernize the rooms. For the last

companies operating executive producers, or those receiving the contract of practical realization of a movie, or post-production companies (the so-called technical industries).

These can have a tax credit of 25% of the single order of films (up to a maximum by 5 million credit) provided that the foreign principals realize that film, or parts thereof, in Poland and Italian workers. This should allow our companies to make prices more competitive and attract international productions in Italy as well.

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shares of European cinema and the Italian SKY

Article 40 of the text of the 2008 Budget incorporates the Consolidated Broadcasting (which was also absorbed la Legge Gasparri ) estendendo l’obbligo di programmazione di film europei ed italiani anche alle tv a pagamento. Tale obbligo per le televisioni era stato inserito nel TUR per recepire la direttiva UE “TV Senza Frontiere”, che imponeva agli stati membri di regolamentare il panorama radiotelevisivo in termini di pubblicità, di tutela dei minori, di tansnazionalità dei servizi tv ma soprattutto introduceva quote di trasmissione di prodotti europei e quote obbligatorie di investimento in produzione di cinema da parte dei broadcaster. Fino ad oggi le televisioni con accesso a pagamento, con sottoscrizione di abbonamento quindi, non risultano vincolate a tale obbligo. SKY Italia infatti non è tenuta ne a trasmettere ne ad investire in cinema europeo o italiano, a differenza di Mediaset e RAI. La società di Rupert Murdoch ha però concluso un accordo con API ed UNPF per il quale è stato creato un sistema chiamato “escaletor”: SKY si impegna a comprare film italiani secondo delle soglie di prezzo minimo fissate in base a quanto tali film abbiano incassato in sala. L’impegno ovviamente è sul prezzo, non sulla certezza dell’acquisto.

RAI e Mediaset hanno diversi obblighi invece. Il gruppo pubblico deve trasmettere per il 20% del tempo netto (tempo di programmazione meno le news, lo sport ed altri servizi) prodotti europei di produttori non riconducibili ad imprese televisive e realizzati negli ultimi 5 years. 10% of its quota to be an Italian product. Mediaset is required instead of 10% of net time for such products in Europe and 20% of that in domestic products. In financial

is extended to the proportion of net time programming also SKY, with the same share of Mediaset.

is a different matter for the share in investment in domestic film production, which in its time has sanctioned the creation of RAI RAI Cinema and Medusa Film Fininvest (now also gone in the group Mediaset).

Here RAI TV and private have different obligations. The public licensee must invest 15% of the fees and revenues or purchase of audiovisual production in Europe. 20% of this amount should be addressed to the Italian market.

Individuals instead (again, excluding satellite transmissions) should invest 10% of their revenues with a share of 30% in Italian products.

This explains a part of the development of companies such as RAI Cinema, 01 Distribution (distribution company RAI) and Medusa Film, but also the great proliferation of fiction in our local national networks. This type of product in fact meets the definition of "audiovisual products" that the investment quotas require broadcasters.

Article 40 of the 2008 budget also would extend the obligation to SKY with a 10% share of investment. The law refers to revenue from "pay-TV offerings of non-sports programs in it (editor's note issuer) has editorial responsibility, including those disclosed or disseminated or distributed through distribution platforms of third parties ". This would require a Sky to invest the revenue received for allowing access to other operators that rely on structure to transmit SKY Italy (all the different satellite channels can not be reduced to the Newscorp group). The proportion allocated to the Italian product is 35%. According to some studies, this measure would increase by 35 million 50 million euro investment of SKY in Italian cinema. The group's response was that if the law enters into force, the agreement reached with the Italian producers for escaletor would decay immediately.

Regarding obligations to the telecommunications company, requested a loud voice from the representatives of trade associations and ANICA UNIVIDEO, everything sent to a regulation of the competent authority to be submitted within 6 months after entry into force of the law.

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Slight reflection film industry on Italy: The Mistero Buffo - Updated!

Cinema (and yes, it takes the letter "C" in some cases!) Industry has always been the dream (as he said Rossellini, "an art that is grafted onto an industry ") and passionate about the public cry professionals!

fact, with the latter half-year sunset now start with the greek and cried in chorus utter the fateful words" cinema is in crisis! " (and here we put the "c" tiny, talk about something else ... not art).

30 years of welfare state to produce films of any kind, but with the usual well-known family, her arm have atrophied entrepreneurs hungry for fame, parties and starlets. On all "Crazy Panties" D'Agostino. O "Private", as if the son of a well-known television-drama-film-music that has a work of such stature to be nominated to '"or" scar does not know who to contact to get money to make two! MA!

I will not rant here for a moralist, and even a little rhetoric, the decay of morals in the world of "c" INEM, nor even to point the finger at this or that ... I'll leave the analysis to the cold data ( you can go and see them on the annual report or if you have patience ANICA more detailed report on the anchor Cinecittà Holding (and this name can be written only with the "C").

Ialian products are 90 films (68 in 2005)

The total investment

catkins of 35% in one year, an increase of 20% of private capital (entrepreneurs that have both put these insane 214 million euro in their pocket, but benefactors!)

The state funding, including former article 8, OPS, developing scripts and are ICN 47milioni euro (but the film would not have died without the money the state said it!)

In the 2008 Budget is extending the requirement to planning and investment in European cinema also SKY. It 'also included the tax credit for domestic film production (for all businesses and those that invest outside!)

An average film in Italy costs € 2.04 million in France between 7 and 8 ... and the Mel Gibson when he was at Cinecittà for "The Passion" with 2 million paid for the production of catering! (Ah. .. and is still waiting rimbosiamo the VAT, for some reason never return to Rome st'americani)

The Theatrical (the room) had a turnover of 546 million euro, an Italian market share of 135 million (from 19% of the market in 2001 to 24% in 2006). For 2007 eved a box office record!

The home video market had a turnover of almost € 1 BILLION

pasaggio The television is not known, but are passed between old and new Italian films in 1300 .... and who knows how many generalist TV on SKY! Then there is the whole

induced Directors (technical industries, manufacturing sector advertising, publishing, etc.)

For a seriously ill person, "the barrel of gas "as I said the general director of Cinecitta Studios, it seems to me that his hospital and clinic in a beautiful golden brown.

Except that this patient has a strength of whining all her loved ones at the bedside, all to assist and flowers flower specialists to cuddle. But then last night saw him slip down the finest of the clinic and be lead to "Jackie'O" by the driver of a car all blue, where the two girls were waiting in a miniskirt and elegant man and sweating with the bag in one hand and a contract in the other ... ENJOY!

Ste ..