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sizes and shooting HD for film

The HD seems to many to be the new frontier of digital cinema, and in some respects it is (remember that it is a format created for the TV anyway!). Everyone believes that it is easier to shoot in HD, with higher yield and above all cheaper.
It was quite true. Certainly you have many advantages, including the main abattoir costs. But use of the method is with a big Intego preparation, theoretical and technical know-out and very advanced. This is especially true if you want to achieve a good quality shot and a clean immagni (perhaps to then be able to pour out into film work). On the Web
run many notes on the HD (to turn the forum, some people really expert in turn).
I have put links to some documents (rather comlpessi but very useful) from the site of 'Avid Italy.

Download the guide on the HD.
Part One Part Two

How
resume in HD.
Part One Part Two

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Our mole in the ministry

begins the adventure of a blog ....
And we tell? And what I tell you? I
SuperMibac, special envoy to MIBAC, face hearings next week for the granting of Ministers to IC (film of cultural interest).
producers and directors will have a quarter of an hour at your disposal to convince the Commission that the terrible "film in question is an unparalleled opportunity to revive the fortunes of Italian cinema. Among
shady background and dynamics, see if you can come up with something interesting ...

I recommend ... "Water In Bocca"

SuperMibac

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"Jellyfish," a new film about the Israeli reality beyond the usual stereotypes

Qualche giorno fa al "Nuovo Sacher" di Trastevere, tempio di Nanni Moretti, è stato presentato un film israeliano distibuito dalla società del cineasta romano.
Il film racconta con rara poesia neorealista la vita quotidiana di tre donne, assai diverse, ma accomunate dai problemi quotidiani della vita (non si pensa sempre solo alla guerra e agli attentati, sorattutto quando si soffre per le vicissitudini di tutti i giorni: amore, lavoro, infanzia spezzata, gelosia...)
Abbiamo potuto essere presenti alla proiezione del film ed al successivo dibattito tra gli autori e i giornalisti moderato dallo stesso Moretti. Abbiamo assistito anche al suo abbandono della sala (con la stessa faccia di quando in "Palombella Rossa" veniva pronunciata la parola "Kich" dalla giornalista!) alla domanda "credete che l'aver messo una vespa nelle scene abbia convinto Moretti a distribuire il vostro film?"

Trama e conferenza stampa con Moretti